Saturday, November 10, 2007

Tuhan Manusia

Author: Faisal Tehrani

"Andai kota itu peradaban, rumah kami adalah
budaya, dan menurut ibu, tiang serinya adalah agama."

translation: If civilisation is a city, then our home
is culture, and according to mother, its main pillar is religion.
The prose above greets you at the beginning of every chapter in the latest work by Faisal Tehrani.

Faisal Tehrani is noted as a thinking author. One local English magazine hailed him as one of Malaysia's Most Outstanding Individuals in 2005, describing him as "one of the rare ideologists in Malay literature". And having heard of his credentials and read his blog several times in the last couple of years, I decided to give his works a try.

Mind you, this is the first Malay novel I've read in a very long time. I usually approach Malay novels with some skepticism, seeing as how the few I've read before seem to be merely a tame translation of Mills & Boon romances, which seems wholly inappropriate in a Malaysian (Malay?) setting. And the multi-syllable Malay words and 'bahasa bunga-bunga' make the reading longer and more difficult for me - heck, I'm an engineer, I may be longwinded myself but give it to me straight to the point. No wonder I always go for the discussion/debate topics in Karangan BM.

'Tuhan Manusia' is first of all surprisingly devoid of the traits above. According to one review, "Take away the 'only just' plot, add a few footnotes and a bibliography, and you would've a formidable collection of essays, each demanding the reader digest it separately." I did find it engaging and easy enough to read the first time, though I will probably come back to revisit the novel and properly dwell on the issues brought up in the book. There were a lot of ideological and philosophical terms - pluralism, secularism, name any 'ism' and the word makes an appearance - but it was presented in a manner more palatable than 'Sophie's World'.

Anyway, back to the point of this so-called review. The author himself stated that this is probably his most ambitious work to date. And he tackles a most sensitive but extremely important issue affecting the Muslim world generally and Islam in Malaysia specifically: apostasy.

The protagonist is a teenaged Ali Taqi, pondering the fate of his brother Talha who has renounced Islam for Christianity. Ali Taqi strives to understand why and how his brother becomes an apostate. Eventually he strikes a stand against pluralism, which he believes to be one of the ideologies used to perpetrate apostacy among Muslims.

'Tuhan Manusia' is basically a 'How To Combat Apostasy' manual. His characters are role-players, examples of how to behave and how to deal with the issue. Even as the parents, the ustaz and a bus driver educates Ali Taqi, so is the author actually informing the reader of his proposed strategy. In writing this book, Faisal Tehrani has actually pitted himself against the "manusia yang tidak kenal diri ini pula, hah, menjadi seniman, mereka bikin filem, menulis novel malahan mementaskan teater maka makin ramai orang jahil yang rosak dan terus rosak..." - Ch. 20, pg 322.

Obviously a lot of research has been put into writing this book, with a large number of references to the Qur'an and Sunnah, as well as Sufism. As Ali Taqi himself stated to his mualaf friend Tse, "Hujah ilmiah dan akhlak yang menambatlah senjata sebenar Islam. Begitulah Islam disebarkan." Ch. 17, pg 247

If ever it was the intention of the author to do so, it certainly succeeded in sparking an interest in philosophy as much as Ali Taqi himself thirsts for it. My only regret is that, unlike the novel's main character, I am no longer a remaja lepasan SPM but a 31-year-old with only 9 years of youth left inside me. But it's never too late to start, right?

My only grouch about the book is its epilogue. Ali Taqi going back to his roots after an illustrious career as a philosopher is fine, but to have his daughter marry Tse's son, and the children's names similar to some of his former mentors is a bit - well, too much like the epilogue from Harry Potter. Fortunately he didn't go so dar as to marry Zehra.

Some more quotable quotes from the book:

"Masyarakat secara fitrah adalah pengikut kebenaran. Akan ada yang setia kepada kebatilan bukan kerana kebatilan itu kebenaran. Tetapi lebih kerana antara jambak keadilan itu, engkau cuba selitkan bunga kebenaran. Dan ini namanya fitnah.

Dan dalam keadaan serba fitnah siapa yang akan selamat? Ada, ada yang akan selamat, orang yang sesuai dengan takdir Ilahi. Dan percaya dengan keMahabijaksanaan Allah, orang jenis ini yang akan cuba menemukan kebenaran, dan bila dapat, mereka akan menggenggamnya dengan kemas..." Ch. 16, pg 241

2 comments:

Anonymous said...

http://gapuradiri.blogspot.com/

The author of the novel Tuhan Manusia, Faisal Tehrani (FT), is growing the seed of hatred to a particular group.

FT has got some "insight" of the group via Zehra (maybe a go-between). It is "funny" in one sense because "the Zehra" (in real life) is a male friend.

Is FT a homosexual? Such a wild speculation is based on strong rumours when the author was deeply connected to "liberal" art/literary/political groups during Reformasi period, 1998-2000.

Still remember his "Perempuan Politikus Terakhir" (Wan Azizah) and "Cinta Hari-hari Rusuhan" (Hishamudin Rais).

Do you know FT was also involved in pro-Anwar demonstration (held in Bangkok), organised by APA (Artis Pro Activ) in 1998?

Then FT was accused of "sexually harassing" a male companion (who was active in theatre performance). Do you know FT has directed some performance?

In his recent novel, read page 28-28 or 148-49, FT is attacking "an Aris".

We don't know this fictional character unless/until we check the real life.

Aris is described as:

(1) "seorang tokoh yang sering saya baca tulisan pojoknya di akhbar",

(2) "memiliki sebuah laman web yang agak kerap dikemaskinikan" (maybe a blog?)

(3) "... ramai anak muda yang menjadi pengekor Aris Iskandar. Mereka mabuk dengan nama-nama dan istilah-istilah serta bermacam-macam falsafah"

(4) "... seorang pemikir daripada kelompok liberalis yang pernah bergayut di bawah dagu seorang ahli politik yang disingkirkan daripada kerajaan."

(5) "... memimpin sebuah majalah atau jurnal yang mempertahankan idea Islam liberal dan sekularisme, ... juga seorang peguam."

So, my guess is, FT is referring to some personalities and a particular group in our society.

"Aris" is perhaps Haris Ibrahim (a lawyer), Dr Farish A. Noor (a distinguished academic) or Fathi Aris Omar (a long-time columnist, freelance writer, journalist and activist) or ... all of them!

But among the three, only Fathi has been associated (at least, for some years -- if not now) with "kelompok liberalis yang pernah bergayut di bawah dagu seorang ahli politik yang disingkirkan daripada kerajaan" (i.e DS Anwar Ibrahim).

Fathi is known to have worked with Khalid Jaafar of IKD and Telawi group of students & youths. This Telawi group is quite prominent in promoting philosophy, literature, progressive Islam, art, democracy and political liberalism. They are also active in writing & publishing.

See their website www.jalantelawi.com and their book 'Islam dan Pluralisme'

The issue is: Why does FT hate the Aris in his novel so much?

Is FT for Islam or for personal vendetta?

Addendum: FT's literary friend of the same ideological background is S. M. Zakir, another talented short story writer & essayist (about the same age).

Zakir once condemned this Telawi group in his blog "Mata Kaca" (see: article 'Mazhab Frankfurt dan Sosialis Baru' or in English 'Frankfurt School and New Socialist', 9 Jun 2006) as such:

Di Malaysia selepas pasca-krisis Mahathir-Anwar, muncul beberapa kelompok golongan muda yang mula menaja ideal-ideal tentang kebebasan, liberalisasi, dan rasionalisasi. Mereka menuntut ruang kebebasan yang mengatasi bukan sahaja campurtangan politik tetapi juga campurtangan budaya dan agama. Nilai dan norma yang sedia ada tidak terkecuali tradisi dilihat sebagai kota purba yang mengekang kehidupan pascamoden yang bebas daripada sebarang batas dan sempadan. Hubungan Negara yang diikat dengan nilai dan keperibadian Melayu dilihat sebagai bentuk ‘authoritarian personality’ yang menjadi regim budaya-politik lama. Sementara kepercayaan dan agama dianggap sebagai milik peribadi yang hanya wujud sebagai ritual dan bukan sebagai pengawas tingkah masyarakat. Perjuangan emansipasi melalui gerakan feminisme, hak asasi, individualiti, etnik minoriti, dan sebagainya dianggap sebagai misi suci masyarakat pascamoden. Selain daripada itu mereka juga mencari ruang ekspresi di dalam dunia jaring teknologi maklumat, penulisan, muzik, teater dan filem. Mereka menuntut ruang dialog dan tafsiran semula bukan sahaja terhadap nilai, norma dan peraturan di dalam masyarakat tetapi juga di dalam kepercayaan dan agama.

Frankfurt School refers to Fathi's interest in Habermas's "public sphere" and Marcuse's "authoritarian personality".

And coincidently (what a coincidence!!!), Fathi once criticised Zakir & FT in his article 'Merobek-robek citra Cak Nun' (see Fathi's book Patah Balek, pg 140).

Is this the real reason for writing "Tuhan Manusia"?

Dian said...

Anonymous,
I do not know much about FT's artistic/political background and his disagreements or associations with other writers, and I do not really judge books by their authors' backgrounds. But I agree that any work of fiction is to some extent influenced by the writer's own experiences, and it is left to the reader to make those assumptions. Although I think
your speculation that Zehra is based on an 'intimate' male friend of such nature is far-fetched. Are you reading too much between the lines, my friend?

"The author of the novel Tuhan Manusia, Faisal Tehrani (FT), is growing the seed of hatred to a particular group." You know, there are many Muslims who have not even heard of FT, but still share his sentiments. The only difference is that FT has the avenue to put his thoughts and sentiments across to the masses through this book (for those who actually read it). And in fact 'Tuhan Manusia' is attacking two groups - the liberal AND the ultra-puritan movements, although the latter is mentioned only towards the end.